The story

Harold Horcross taught art in Paperton for thirty-one years. Then the pension that promised him "enough" turned into half a sandwich.

One morning at the Rusty Nickel, he watches the President freeze on live TV and turn at the hips like a desk chair. Nobody else notices. Harold does. He's spent his whole life drawing what's actually there.

What follows is a stolen humanoid robot, a brain implant, a campaign run out of a storage unit, a secret society that keeps its ledger in brown ink, and a woman in Youngstown with a glass jar who changes everything.

It's political satire for adults about money, power, and who gets to print belief, and it ends with hope.

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Chapter 1

Transitory

Harold

The Rusty Nickel is the last bar in Paperton where a man can still get a beer for under nine dollars, provided he comes in before noon and doesn't ask what brand it is.

I come in at ten-ten, the minute Dottie unlocks the door. When you're retired, you learn to schedule your despair like a dental appointment.

Thirty-one years I taught art at Paperton Central. Four thousand kids, give or take, and I taught every one of them the same first lesson: the trick to drawing a hand is to stop drawing what you think a hand looks like and draw what's actually there. Most of them never got it. They'd draw five sausages on a mitten and look up at me like they'd cured polio. But a few got it. A few learned to see.

It's a useless skill, seeing. Nobody pays for it. I can tell you that from experience, and from my pension statement.

Free, and it stays free

In the book, the best ideas get shared, not locked away. So is the book.

It's a message in a bottle. Somebody tossed it into the water, not knowing who'd pick it up. You did.

It's released under Creative Commons BY-NC-SA 4.0. Copy it, share it, pass it to anyone, as long as you credit the author and don't sell it.

Send a little thanks

If it made you laugh, or think, or look at a dollar a little differently, you can send thanks straight to the author. No bank in the middle.

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